How the Hell Did We Get Here?
Oct. 17th, 2017 03:17 amSo, the other day a commenter on my Facebook wall wrote, “feminism is postmodernism”. Yes, those words were actually set down. I almost had to do a double-take.
To be honest, though, I should probably not have been surprised in any way. Feminism has, indeed, been hijacked by postmodernist obfuscation. No longer does it have an overarching commitment to the straightforward recognition that women's rights are human rights. Instead, it has surrendered to the idea that feminism should be "for everyone" - which means, in practice, that this new kind of "feminism" can do nothing important for anybody at all.
But I digress. The thing is, I actually ::do:: know and understand as much about postmodernism as I could ever need. I know how it affects the disciplines upon which it has encroached; and I know how to spot it in my own experience, both online and off.
A bit less than half my life ago, when I was still at university, I wrote my third-year English honours major essay on the subject of postmodernism. The task to be addressed was to discuss the meaning of postmodernism with reference to one literary and one non-literary text (because everything, apparently, is a ‘text’ when we’re talking in post-structuralist terminology). In my case, because I was doing a combined honours degree between the English and History faculties (and so would be completing my second semester in the History faculty), I had to add an extra literary text. So I wrote my essay, referencing Andy Warhol’s garish screen prints of famous women (Marilyn Monroe, Jackie Kennedy) as my non-literary text; and William Gibson’s Neuromancer and a short story by the mind-bendingly brilliant Jorge Luis Borges called ‘The Circular Ruins’, as my literary texts. My thesis was that postmodernism was all about elevating the image over the substance. My professor deemed it worthy of a distinction grade, so I can only assume I made my case at least reasonably well in my essay.
During my years at university, postmodernism had really only begun to weave its poisonous tendrils through the humanities, at least in Australia. Now, almost twenty years later, it has not only laid waste to arts faculties across the Western world but has permeated popular culture with a vengeance. Image is everything now - especially since the advent of social media. Anyone can present a carefully curated version of their life that ultimately has nothing to do with their real experience. It’s become, ironically, a truism to say that we live in a ‘post-truth’ society - and it’s quite easy to see why. Many people seem to believe that their own subjective feelings about a particular issue are what determine its truth or otherwise. Again, the internet makes it very easy for people to subsist within non-overlapping magisteria (to borrow Stephen Jay Gould’s phrase regarding the supposed separation between science and religious faith). We all have our respective echo chambers, where we can bask in the comfort of knowing how right we are in our convictions. Given how profoundly uncomfortable it has become to attempt to engage in debate now that everyone takes their present belief system to be the cornerstone of their identity (as if this is somehow immutable), it’s hardly surprising that we have come to this point, where retreat from all possible opposition is the default setting; and where personal insult has become an acceptable substitute for reasoned argument.
It has become the norm again to say that anyone’s opinion is valid, that because a person feels something, it is true in a way that cannot be questioned. We did have a hope spot, a few years ago, where people began to speak about being able to actually defend one’s opinion. But that promising development never really got anywhere - and we’re now back to the assumption of “anything goes.” Indeed, if you can put any kind of individualist spin on your interpretation of the facts, there will now be plenty of people ready to laud you for your ‘bravery’, rather than point out that you’re living in a fantasy land. As long as you can maintain the belief that you are a special snowflake, whilst ignoring the material basis for any form of description or classification ever developed by humans, then you can navigate the ever-shifting postmodern ocean and the cheerleaders will love you for it. Remember - the image is what matters now.
It’s interesting to note that much of what passes for ‘feminism’ right now really does seem to bear out my analysis from my third-year honours essay. Any woman who chooses to do anything at all now is a feminist, just because she makes a choice. Never mind that the choice is constrained by patriarchal capitalism. It still looks like a choice, right, even if it’s one shitty alternative instead of another? Then there is the ever-expanding, ever-confusing transgender identity discourse (and it should be noted that ‘discourse’ is a buzzword in postmodernist theorising). The aim of this discourse is to insist that the substance is irrelevant - that what matters is the identity label you apply to yourself and the story you tell to justify the label. Such a label is all-defining, even possessing the power to reinterpret one’s sex organs as those of the other sex when there is no observable ambiguity.
The thing about identity, though, is that it runs so much deeper than a label one chooses to apply to oneself. Our identities are never formed in a vacuum, nor are they the result of a simple decision of, “I will be this.” Our interactions with others - and how those others perceive us - really do matter. People are more than a single facet of their personality, yet the label - especially the gender label now - appears to be the only thing that is counted. This feels like a reversal, to me. It used to be the case that people fought their way out of labels - now it seems that some folk will do anything and everything to ensure they fit into the stereotype.
Postmodernism, finally, really is all about the creation of a superficial image - and the ability of that image to obscure material facts. It’s easy to see this in the cant that now passes for “feminist” analysis on sites like Jezebel and Everyday Feminism. It’s clear that these self-styled feminists really are “talking bollocks” - sometimes quite literally, in the insistence that a man’s junk can be female if he says it is.
A year or so before I did my semester on postmodernism, one of my other English professors gave the most wonderfully pithy comment on the limits of textual interpretation. He said (and I may be paraphrasing slightly - it was twenty years ago), “You can say Hamlet is about many things; but you’d be hard-pressed to argue that it’s about strawberry jam.” I would suggest that you can say a man is many things - but you’d be hard-pressed to argue that he’s a woman, even if he says he is one.
To be honest, though, I should probably not have been surprised in any way. Feminism has, indeed, been hijacked by postmodernist obfuscation. No longer does it have an overarching commitment to the straightforward recognition that women's rights are human rights. Instead, it has surrendered to the idea that feminism should be "for everyone" - which means, in practice, that this new kind of "feminism" can do nothing important for anybody at all.
But I digress. The thing is, I actually ::do:: know and understand as much about postmodernism as I could ever need. I know how it affects the disciplines upon which it has encroached; and I know how to spot it in my own experience, both online and off.
A bit less than half my life ago, when I was still at university, I wrote my third-year English honours major essay on the subject of postmodernism. The task to be addressed was to discuss the meaning of postmodernism with reference to one literary and one non-literary text (because everything, apparently, is a ‘text’ when we’re talking in post-structuralist terminology). In my case, because I was doing a combined honours degree between the English and History faculties (and so would be completing my second semester in the History faculty), I had to add an extra literary text. So I wrote my essay, referencing Andy Warhol’s garish screen prints of famous women (Marilyn Monroe, Jackie Kennedy) as my non-literary text; and William Gibson’s Neuromancer and a short story by the mind-bendingly brilliant Jorge Luis Borges called ‘The Circular Ruins’, as my literary texts. My thesis was that postmodernism was all about elevating the image over the substance. My professor deemed it worthy of a distinction grade, so I can only assume I made my case at least reasonably well in my essay.
During my years at university, postmodernism had really only begun to weave its poisonous tendrils through the humanities, at least in Australia. Now, almost twenty years later, it has not only laid waste to arts faculties across the Western world but has permeated popular culture with a vengeance. Image is everything now - especially since the advent of social media. Anyone can present a carefully curated version of their life that ultimately has nothing to do with their real experience. It’s become, ironically, a truism to say that we live in a ‘post-truth’ society - and it’s quite easy to see why. Many people seem to believe that their own subjective feelings about a particular issue are what determine its truth or otherwise. Again, the internet makes it very easy for people to subsist within non-overlapping magisteria (to borrow Stephen Jay Gould’s phrase regarding the supposed separation between science and religious faith). We all have our respective echo chambers, where we can bask in the comfort of knowing how right we are in our convictions. Given how profoundly uncomfortable it has become to attempt to engage in debate now that everyone takes their present belief system to be the cornerstone of their identity (as if this is somehow immutable), it’s hardly surprising that we have come to this point, where retreat from all possible opposition is the default setting; and where personal insult has become an acceptable substitute for reasoned argument.
It has become the norm again to say that anyone’s opinion is valid, that because a person feels something, it is true in a way that cannot be questioned. We did have a hope spot, a few years ago, where people began to speak about being able to actually defend one’s opinion. But that promising development never really got anywhere - and we’re now back to the assumption of “anything goes.” Indeed, if you can put any kind of individualist spin on your interpretation of the facts, there will now be plenty of people ready to laud you for your ‘bravery’, rather than point out that you’re living in a fantasy land. As long as you can maintain the belief that you are a special snowflake, whilst ignoring the material basis for any form of description or classification ever developed by humans, then you can navigate the ever-shifting postmodern ocean and the cheerleaders will love you for it. Remember - the image is what matters now.
It’s interesting to note that much of what passes for ‘feminism’ right now really does seem to bear out my analysis from my third-year honours essay. Any woman who chooses to do anything at all now is a feminist, just because she makes a choice. Never mind that the choice is constrained by patriarchal capitalism. It still looks like a choice, right, even if it’s one shitty alternative instead of another? Then there is the ever-expanding, ever-confusing transgender identity discourse (and it should be noted that ‘discourse’ is a buzzword in postmodernist theorising). The aim of this discourse is to insist that the substance is irrelevant - that what matters is the identity label you apply to yourself and the story you tell to justify the label. Such a label is all-defining, even possessing the power to reinterpret one’s sex organs as those of the other sex when there is no observable ambiguity.
The thing about identity, though, is that it runs so much deeper than a label one chooses to apply to oneself. Our identities are never formed in a vacuum, nor are they the result of a simple decision of, “I will be this.” Our interactions with others - and how those others perceive us - really do matter. People are more than a single facet of their personality, yet the label - especially the gender label now - appears to be the only thing that is counted. This feels like a reversal, to me. It used to be the case that people fought their way out of labels - now it seems that some folk will do anything and everything to ensure they fit into the stereotype.
Postmodernism, finally, really is all about the creation of a superficial image - and the ability of that image to obscure material facts. It’s easy to see this in the cant that now passes for “feminist” analysis on sites like Jezebel and Everyday Feminism. It’s clear that these self-styled feminists really are “talking bollocks” - sometimes quite literally, in the insistence that a man’s junk can be female if he says it is.
A year or so before I did my semester on postmodernism, one of my other English professors gave the most wonderfully pithy comment on the limits of textual interpretation. He said (and I may be paraphrasing slightly - it was twenty years ago), “You can say Hamlet is about many things; but you’d be hard-pressed to argue that it’s about strawberry jam.” I would suggest that you can say a man is many things - but you’d be hard-pressed to argue that he’s a woman, even if he says he is one.